Since digital technologies made real time sound processing broadly accessible in the 1980s, significant shifts in creative music practices and aesthetics, and further technological developments have profoundly transformed the performance practice of live electronic music. In this book philosophers, musicologists, composers and performers discuss the current state of that practice.
Edited by Germán Toro Perez, Lucas Bennett and Jörn Peter Hiekel.
→ Order now from the Publications Webshop.
→ View the Open Access version on the Publications Webshop.